Changes: Joe Mathieu

Revision as of 15:27, 27 May 2020

SSHospitalBook-Joe — Mathieu self-caricatured as Dr. Keats in *A Visit to the Sesame Street Hospital*.

Joe Mathieu (b. January 23, 1949)^[1] is a freelance artist who has provided illustrations for Sesame Street books and merchandise since 1972, a year after graduating from the Rhode Island School of Design.^[2] Mathieu remembers: "I spent the year following graduation building up my portfolio. Then I went to New York City and I was scared to death. Sesame Street was just starting and wanted someone young and new to set the style for their books, that’s how I ended up at Random House. That led to Jim Henson and the Muppets, and then we really got going, I couldn’t believe how fast."^[3]

Some notable titles include Cookie Monster and the Cookie Tree, The Ernie & Bert Book and The Exciting Adventures of Super Grover, which was adapted into a video storybook. He also provided artwork for the adaptation of Sesame Street Episode 1839 published as I'll Miss You, Mr. Hooper and the 1978 special Christmas Eve on Sesame Street.

His most extensive contributions have been to The Sesame Street Dictionary in 1980, and hundreds of features and covers for Sesame Street Magazine over the years. The dictionary features illustrations for 1,300 words over the course of 250 pages. When the book was redistributed in volume form, Mathieu provided additional artwork for that as well. It has been printed in a Dutch translation and was reissued in English in 2004.

As an early illustrator for Sesame Street, Mathieu helped set a precedent for character style. This is evident in the 1979 Character Style Guide, which was put together as a reference point for licensors on how the Sesame Street Muppets should be rendered. Around 2004, Mathieu made the transition from his traditional reflective art, to a digital medium. Most of his work for Sesame Street books after this time has been digitally rendered at some point in the creation process.

He has also illustrated other Sesame Street merchandise, such as the lyrics posters for Sing Yourself Silly! and Monster Hits, Sesame Street Live program booklets, and a 1983 collectible Christmas plate made by Gorham.

Other children's books have included the 1999 reissue of The Eye Book and the 2000 reissue of The Tooth Book by Theodor Geisel under the pen name Theo. LeSieg. He also illustrated books based on The Wubbulous World of Dr. Seuss: The King's Beard and The Gink. His affection for Sesame Street is evident in Busy City, a non-Sesame Street book written by Mathieu featuring a set visit to the CTW production. In Elmo's Lift-and-Peek Around the Corner Book from 1996, Mathieu drew Baby Natasha reading one of his books, Big Joe's Trailer Truck from 1974.

Quotes

Self illustration of Joe Mathieu — Self-portrait of Joe Mathieu.

"Jim Henson was the art director — he sat down with me and explained to me what he wanted. He gave me free rein to watch the show being taped, which I did a million times. I had carte blanche to visit the Muppet morgue — literally a morgue of old Muppet puppets. I watched how personality was breathed into the puppets by the puppeteers. I used to go to the show tapings, alone for the most part, and sit there and sketch. We didn’t have a color TV, no tape machines. I had to draw in real time."^[3]

"Big Joe’s Trailer Truck was by first big solo thing. I’m an illustrator and I had an opportunity to write a book. I never wrote a book before, but I guess I was just hot because of my association to Sesame Street. I didn’t have a lot of time to make up a town, so I just drew the town I lived in. I didn’t think everyone would recognize it, but they did. That really took off, it was translated into a dozen languages, which I never dreamed of. That was my big hit. I had so many opportunities to work with great writers. I even did a couple of Dr. Seuss books."^[3]

"I fought [digital illustration] every inch of the way. Talk about getting out of your comfort zone — I couldn’t even send an e-mail. I tried everything I could to trick people, but the fact of the matter is, if it’s on paper, the young art directors didn’t want to see it. They’d never seen paper art before. They wanted to do changes on finished art, which for years was sacred. You had to make changes in the sketch phase. There was no way an illustrator could compete without working in digital. The rules had changed dramatically overnight. It became harder to find good paper and paints. Paints I used since the ’60s, (and) the companies, went out of business. I had completely embraced digital work, I never wanted to see a bowl and brush again. I never wanted to go back to all those limitations."^[3]

"I have to be ready to do either one [traditional or digital art]. It’s a different look, for certain things the traditional way is more appropriate. You can do a really beautiful book traditionally for a few that can afford it. But the mass market is there for kids like we started catering to with Sesame Street. I can still do my very best work digitally, and the book can be treated more casually. I like doing both. In the end, traditional style has a certain depth, softness, subtlety that’s not quite in the digital world."^[3]

"My name is pronounced either the American way or the French way... My father, who was in the 5th Marine division on Iwo Jima, would only allow the American version. I like either, but although my family always uses the American pronunciation, I always quietly preferred the French. I will normally use the American unless I am in France or Canada. Please yourself on this one."^[4]

Books

* indicates co-illustrator

The Sesame Street 1, 2, 3 Storybook* 1973

Grover and the Everything in the Whole Wide World Museum 1974

See No Evil, Hear No Evil, Smell No Evil 1975

The Sesame Street Book of Fairy Tales 1976

The Sesame Street Mix or Match Storybook 1977

What Ernie and Bert Did on Their Summer Vacation 1977

The Sesame Street Bedtime Storybook* 1978

The Exciting Adventures of Super Grover 1978

The Sesame Street Library (series)* 1978

The Sesame Street Treasury (series)* 1983

A Visit to the Sesame Street Firehouse 1983

The Adventures of Big Bird in Dinosaur Days 1984

Can You Tell Me How to Get to Sesame Street? 1984

Big Bird Says... A Game to Read and Play 1985

A Visit to the Sesame Street Hospital 1985

A Visit to the Sesame Street Library 1986

A Visit to the Sesame Street Museum 1987

On My Way with Sesame Street Volume 3 * 1989

On My Way with Sesame Street Volume 6 * 1989

On My Way with Sesame Street Volume 11 * 1989

On My Way with Sesame Street Volume 12 * 1989

On My Way with Sesame Street Volume 14 * 1989

Elmo's Lift-and-Peek Around the Corner Book 1996

Can You Tell Me How to Get to Sesame Street? 1997

ABC and 123: A Sesame Street Treasury of Words and Numbers * 1998

If You're Happy and You Know It... Clap Your Paws! 2001

Brought to You by... Sesame Street!* 2004

Sunny Day: A Celebration of Sesame Street* 2019

Merchandise

Sources

↑ http://www.encyclopedia.com/doc/1G2-3071100065.html
↑ joemathieu.com
↑ ^3.0 ^3.1 ^3.2 ^3.3 ^3.4 Chiari, Tom. "Q&A with Joe Mathieu, Sesame Street illustrator", Norwich Bulletin, Norwich, CT. March 16, 2010.
↑ Clark, Thomas D. Email interview with Joe Mathieu, December 1, 2009.

External links

[1] ttp://www.encyclopedia.com/doc/1G2-3071100065.html

[2] thieu.com

[norwich-3] 3.0 ^3.1 ^3.2 ^3.3 ^3.4 Chiari, Tom. "Q&A with Joe Mathieu, Sesame Street illustrator", Norwich Bulletin, Norwich, CT. March 16, 2010.

[4] Clark, Thomas D. Email interview with Joe Mathieu, December 1, 2009.

[1]

[2]

[3]

[4]

@@ Line 1: / Line 1: @@
 [[File:Joemathieu2008.jpg|thumb|300px|Joe Mathieu in 2008.]]
 [[File:Joe-mathieu-miss-piggy.jpg|thumb|300px]]
+[[File:Joe-monster.jpg|thumb|300px|Mathieu and [[Gorgon Heap]]]]
-'''Joe Mathieu''' is a freelance artist who has provided illustrations for [[:Category:Sesame Street Books|''Sesame Street'' books]] and merchandise since 1972, a year after graduating from the Rhode Island School of Design. <ref>[http://www.joemathieu.com/about.htm joemathieu.com]</ref> Mathieu remembers: "I spent the year following graduation building up my portfolio. Then I went to [[New York City]] and I was scared to death. ''Sesame Street'' was just starting and wanted someone young and new to set the style for their books, that’s how I ended up at [[:Category:Random House|Random House]]. That led to [[Jim Henson]] and the Muppets, and then we really got going, I couldn’t believe how fast." <ref name="norwich">Chiari, Tom. "[http://www.norwichbulletin.com/carousel/x313366568/Illustrator-has-a-passion-for-art Q&A with Joe Mathieu, Sesame Street illustrator]", ''Norwich Bulletin'', Norwich, CT. March 16, 2010.</ref>
+[[File:SSHospitalBook-Joe.jpg|thumb|300px|Mathieu self-caricatured as Dr. Keats in ''[[A Visit to the Sesame Street Hospital]]''.]]
+'''Joe Mathieu''' (b. January 23, 1949)<ref>http://www.encyclopedia.com/doc/1G2-3071100065.html</ref> is a freelance artist who has provided illustrations for [[:Category:Sesame Street Books|''Sesame Street'' books]] and merchandise since 1972, a year after graduating from the Rhode Island School of Design.<ref>[http://www.joemathieu.com/about.htm joemathieu.com]</ref> Mathieu remembers: "I spent the year following graduation building up my portfolio. Then I went to [[New York City]] and I was scared to death. ''Sesame Street'' was just starting and wanted someone young and new to set the style for their books, that’s how I ended up at [[:Category:Random House|Random House]]. That led to [[Jim Henson]] and the Muppets, and then we really got going, I couldn’t believe how fast."<ref name="norwich">Chiari, Tom. "[http://www.norwichbulletin.com/carousel/x313366568/Illustrator-has-a-passion-for-art Q&A with Joe Mathieu, Sesame Street illustrator]", ''Norwich Bulletin'', Norwich, CT. March 16, 2010.</ref>
-Some notable titles include ''[[Cookie Monster and the Cookie Tree]]'', ''[[The Ernie & Bert Book]]'' and ''[[The Exciting Adventures of Super Grover]]'' which was adapted into a [[Five Sesame Street Stories|video storybook]]. He also provided artwork for the adaptation of ''[[Sesame Street]]'' [[episode 1839]] published as ''[[I'll Miss You, Mr. Hooper]]'' and the 1978 special ''[[Christmas Eve on Sesame Street (book)|Christmas Eve on Sesame Street]]''.
+__TOC__
+Some notable titles include ''[[Cookie Monster and the Cookie Tree]]'', ''[[The Ernie & Bert Book]]'' and ''[[The Exciting Adventures of Super Grover]]'', which was adapted into a [[Five Sesame Street Stories|video storybook]]. He also provided artwork for the adaptation of ''[[Sesame Street]]'' [[Episode 1839]] published as ''[[I'll Miss You, Mr. Hooper]]'' and the 1978 special ''[[Christmas Eve on Sesame Street (book)|Christmas Eve on Sesame Street]]''.
 His most extensive contributions have been to ''[[The Sesame Street Dictionary]]'' in 1980, and hundreds of features and covers for ''[[Sesame Street Magazine]]'' over the years. The dictionary features illustrations for 1,300 words over the course of 250 pages. When the book was redistributed in [[Big Bird's Sesame Street Dictionary|volume form]], Mathieu provided additional artwork for that as well. It has been printed in a Dutch translation and was reissued in English in 2004.
-As an early illustrator for ''Sesame Street'', Mathieu helped set a precedent for character style. This is evident in the [[Character Style Guides|1979 Character Style Guide]] which was put together as a reference point for licensors on how the ''Sesame Street'' Muppets should be rendered. Around 2004, Mathieu made the transition from his traditional reflective art, to a digital medium. Most of his work for ''Sesame Street'' books after this time has been digitally rendered at some point in the creation process.
+As an early illustrator for ''Sesame Street'', Mathieu helped set a precedent for character style. This is evident in the [[Character style guides|1979 Character Style Guide]], which was put together as a reference point for licensors on how the ''Sesame Street'' Muppets should be rendered. Around 2004, Mathieu made the transition from his traditional reflective art, to a digital medium. Most of his work for ''Sesame Street'' books after this time has been digitally rendered at some point in the creation process.
 He has also illustrated other ''Sesame Street'' merchandise, such as the lyrics posters for ''[[Sing Yourself Silly!]]'' and ''[[Monster Hits]]'', ''[[Sesame Street Live]]'' program booklets, and a [[Sesame Street plates (Gorham)|1983 collectible Christmas plate]] made by Gorham.
-Other children's books have included ''The Eye Book'' (1998) and ''The Tooth Book'' (1989) by [[Theodor Geisel]] under the pen name Theo. LeSieg. He also illustrated books based on ''[[The Wubbulous World of Dr. Seuss]]'': ''[[The King's Beard (book)|The King's Beard]]'' and ''[[The Gink (book)|The Gink]]''. His affection for ''Sesame Street'' is evident in ''[[Busy City]]'', a non-''Sesame Street'' book written by Mathieu featuring a set visit to the CTW production. In ''[[Elmo's Lift-and-Peek Around the Corner Book]]'' from 1996, Mathieu drew [[Baby Natasha]] reading one of his books, ''[[Big Joe's Trailer Truck]]'' from 1974.
+Other children's books have included the 1999 reissue of ''The Eye Book'' and the 2000 reissue of ''The Tooth Book'' by [[Theodor Geisel]] under the pen name Theo. LeSieg. He also illustrated books based on ''[[The Wubbulous World of Dr. Seuss]]'': ''[[The King's Beard (book)|The King's Beard]]'' and ''[[The Gink (book)|The Gink]]''. His affection for ''Sesame Street'' is evident in ''[[Busy City]]'', a non-''Sesame Street'' book written by Mathieu featuring a set visit to the CTW production. In ''[[Elmo's Lift-and-Peek Around the Corner Book]]'' from 1996, Mathieu drew [[Baby Natasha]] reading one of his books, ''[[Big Joe's Trailer Truck]]'' from 1974.
 ==Quotes==
 [[Image:Self illustration of Joe Mathieu.jpg|thumb|300px|Self-portrait of Joe Mathieu.]]
-* "Jim Henson was the art director — he sat down with me and explained to me what he wanted. He gave me free rein to watch the show being taped, which I did a million times. I had carte blanche to visit the Muppet morgue — literally a morgue of old Muppet puppets. I watched how personality was breathed into the puppets by the puppeteers. I used to go to the show tapings, alone for the most part, and sit there and sketch. We didn’t have a color TV, no tape machines. I had to draw in real time." <ref name="norwich" />
+* "Jim Henson was the art director — he sat down with me and explained to me what he wanted. He gave me free rein to watch the show being taped, which I did a million times. I had carte blanche to visit the Muppet morgue — literally a morgue of old Muppet puppets. I watched how personality was breathed into the puppets by the puppeteers. I used to go to the show tapings, alone for the most part, and sit there and sketch. We didn’t have a color TV, no tape machines. I had to draw in real time."<ref name="norwich" />
-* "''Big Joe’s Trailer Truck'' was by first big solo thing. I’m an illustrator and I had an opportunity to write a book. I never wrote a book before, but I guess I was just hot because of my association to ''Sesame Street''. I didn’t have a lot of time to make up a town, so I just drew the town I lived in. I didn’t think everyone would recognize it, but they did. That really took off, it was translated into a dozen languages, which I never dreamed of. That was my big hit. I had so many opportunities to work with great writers. I even did a couple of Dr. Seuss books." <ref name="norwich" />
+* "''Big Joe’s Trailer Truck'' was by first big solo thing. I’m an illustrator and I had an opportunity to write a book. I never wrote a book before, but I guess I was just hot because of my association to ''Sesame Street''. I didn’t have a lot of time to make up a town, so I just drew the town I lived in. I didn’t think everyone would recognize it, but they did. That really took off, it was translated into a dozen languages, which I never dreamed of. That was my big hit. I had so many opportunities to work with great writers. I even did a couple of Dr. Seuss books."<ref name="norwich" />
-* "I fought [digital illustration] every inch of the way. Talk about getting out of your comfort zone — I couldn’t even send an e-mail. I tried everything I could to trick people, but the fact of the matter is, if it’s on paper, the young art directors didn’t want to see it. They’d never seen paper art before. They wanted to do changes on finished art, which for years was sacred. You had to make changes in the sketch phase. There was no way an illustrator could compete without working in digital. The rules had changed dramatically overnight. It became harder to find good paper and paints. Paints I used since the ’60s, (and) the companies, went out of business. I had completely embraced digital work, I never wanted to see a bowl and brush again. I never wanted to go back to all those limitations." <ref name="norwich" />
+* "I fought [digital illustration] every inch of the way. Talk about getting out of your comfort zone — I couldn’t even send an e-mail. I tried everything I could to trick people, but the fact of the matter is, if it’s on paper, the young art directors didn’t want to see it. They’d never seen paper art before. They wanted to do changes on finished art, which for years was sacred. You had to make changes in the sketch phase. There was no way an illustrator could compete without working in digital. The rules had changed dramatically overnight. It became harder to find good paper and paints. Paints I used since the ’60s, (and) the companies, went out of business. I had completely embraced digital work, I never wanted to see a bowl and brush again. I never wanted to go back to all those limitations."<ref name="norwich" />
-* "I have to be ready to do either one [traditional or digital art]. It’s a different look, for certain things the traditional way is more appropriate. You can do a really beautiful book traditionally for a few that can afford it. But the mass market is there for kids like we started catering to with Sesame Street. I can still do my very best work digitally, and the book can be treated more casually. I like doing both. In the end, traditional style has a certain depth, softness, subtlety that’s not quite in the digital world." <ref name="norwich" />
+* "I have to be ready to do either one [traditional or digital art]. It’s a different look, for certain things the traditional way is more appropriate. You can do a really beautiful book traditionally for a few that can afford it. But the mass market is there for kids like we started catering to with Sesame Street. I can still do my very best work digitally, and the book can be treated more casually. I like doing both. In the end, traditional style has a certain depth, softness, subtlety that’s not quite in the digital world."<ref name="norwich" />
-* "My name is pronounced either the American way or the French way... My father, who was in the 5th Marine division on Iwo Jima, would only allow the American version. I like either, but although my family always uses the American pronunciation, I always quietly preferred the French. I will normally use the American unless I am in France or Canada. Please yourself on this one." <ref>[[User:tclark1428|Clark, Thomas D.]] Email interview with Joe Mathieu, December 1, 2009.</ref>
+* "My name is pronounced either the American way or the French way... My father, who was in the 5th Marine division on Iwo Jima, would only allow the American version. I like either, but although my family always uses the American pronunciation, I always quietly preferred the French. I will normally use the American unless I am in France or Canada. Please yourself on this one."<ref>[[User:tclark1428|Clark, Thomas D.]] Email interview with Joe Mathieu, December 1, 2009.</ref>
 ==Books==
 ''* indicates co-illustrator''
-<gallery captionalign="left" spacing="small" position="center" bordersize="none" widths="202">
+<gallery spacing="small" widths="200">
 Image:Gordonstorybook.JPG|''[[Gordon of Sesame Street Storybook]]''*<br>1972|link=Gordon of Sesame Street Storybook
 Image:123storybook.JPG|''[[The Sesame Street 1, 2, 3 Storybook]]''*<br>1973|link=The Sesame Street 1, 2, 3 Storybook
@@ Line 46: / Line 49: @@
 Image:Excitingsupergrover.jpg|''[[The Exciting Adventures of Super Grover]]''<br>1978|link=The Exciting Adventures of Super Grover
 Image:Book.sslib01.jpg|''[[The Sesame Street Library]]'' (series)*<br>1978|link=The Sesame Street Library
-Image:Erniesworkofart.jpg|''[[Ernie's Work of Art]]''<br>1979|link=Ernie's Work of Art
+Image:Ernies work of art.jpg|''[[Ernie's Work of Art]]''<br>1979|link=Ernie's Work of Art
 Image:Book.ssdictionary.jpg|''[[The Sesame Street Dictionary]]''<br>1980|link=The Sesame Street Dictionary
 Image:Book.xmasevess.jpg|''[[Christmas Eve on Sesame Street (book)|Christmas Eve on Sesame Street]]''<br>1981|link=Christmas Eve on Sesame Street (book)
@@ Line 88: / Line 91: @@
 Image:Book.bigbirdviolin.jpg|''[[Big Bird Plays the Violin]]''<br>1991|link=Big Bird Plays the Violin
 Image:Book.birdwatchingwithbert.jpg|''[[Bird Watching with Bert]]''<br>1991|link=Bird Watching with Bert
-Image:Book.howtoget.jpg|''[[How to Get to Sesame Street]]''<br>1991|link=How to Get to Sesame Street
+Image:Book.howtoget.jpg|''[[How to Get to Sesame Street (book)|How to Get to Sesame Street]]''<br>1991|link=How to Get to Sesame Street (book)
 Image:Elmowantsabath.jpg|''[[Elmo Wants a Bath]]''<br>1992|link=Elmo Wants a Bath
 Image:Popgoesthesanta.jpg|''[[Pop Goes the Santa!]]''<br>1992|link=Pop Goes the Santa!
@@ Line 140: / Line 143: @@
 Get moving with elmo!.jpg|''[[Get Moving with Elmo!]]''<br>2012|link=Get Moving with Elmo!
 Image:Ismyfacered.jpg|''[[Is My Face Red!]]''<br>2012|link=Is My Face Red!
+guesswhoeasterelmo.jpg|''[[Guess Who, Easter Elmo!]]''<br>2015|link=Guess Who, Easter Elmo!
+SesameJustOneYou.jpg|''[[Just One You!]]''<br>2015|link=Just One You!
+Book-SunnyDay.jpg|''[[Sunny Day: A Celebration of Sesame Street]]''*<br>2019|link=Sunny Day: A Celebration of Sesame Street
 </gallery>
 ==Merchandise==
-<gallery captionalign="left">
+<gallery spacing="small" widths="200">
-Image:SesameMathieuPuzzle.JPG|''Sesame Street'' puzzle<br>c. 1970's
+Image:Ssmag.198609.jpg|''[[Sesame Street Magazine]]''<br>1970s through 2000s
+Image:SesameMathieuPuzzle.JPG|''Sesame Street'' puzzle<br>c. 1970s
 Image:Woodblocksposter.jpg|[[Sesame Street Wood Blocks]] poster<br>1975
 Image:Countcbook.jpg|''[[Sesame Street coloring books|The Count's Coloring Book]]''<br>(coloring book)<br>1976
-Image:Ssmag.198609.jpg|''[[Sesame Street Magazine]]''<br>(1977 - present)
+Joe Mathieu American Blocks.jpg|[[Sesame Street American Bricks]]<br>1977
 Image:Cbook.whoswho.jpg|''[[Who's Who on Sesame Street]]''<br>(coloring book)<br>1977
+Demand marketing dishes plates cups 6.jpg|[[Sesame Street dinnerware (Demand Marketing)|Sesame Street dinnerware]]<br>1977
+Demand marketing 1977 tray.jpg|[[Sesame Street TV tray]]<br>1977
 Image:Album.ss-storytime.jpg|''[[Sesame Street Story Time]]'' (album)<br>1978
-Image:Sesame-PrestoMagix01.jpg|[[Sesame Street Presto Magix]]<br>c. 1980
+File:Sesame Street Lamp-X3.jpg|[[Sesame Street lamps (American Family)|Sesame Street lamp shade]]<br/>1979
 Image:SESAME STREET LIVE MYSTERY COVER.JPG|''[[The Case of the Missing Rara Avis]]''<br>(program)<br>1980
 Image:SESAME STREET LIVE AMATEUR COVER.JPG|''[[Big Bird's Super Spectacular Totally Amateur Show]]''<br>(program)<br>1981
 Image:Sesameplate1983.jpg|[[Sesame Street Gorham Plates]]<br>1983
 Image:Sesamegame1.jpg|''[[Sesame Street (game)|Sesame Street]]'' game<br>1985
+Wendys Follow that Bird.jpg|[[Follow That Bird Wendy's Kids Meal]]<br>1985
+Sesame-RubnPlay-spread-Mathieu.jpg|[[Sesame Street Rub n' Play Transfer Sets]]<br>1986
 Image:Newwhoswho.jpg|''[[Who's Who on Sesame Street|The New Who's Who on Sesame Street]]'' *<br>(coloring book)<br>1989
 Image:Monsterhitsposter.jpg|''[[Monster Hits!]]'' song-lyric poster<br>1990
@@ Line 181: / Line 192: @@
 ==External links==
 * [http://www.joemathieu.com/ Official site]
-* [http://www.norwichbulletin.com/carousel/x313366568/Illustrator-has-a-passion-for-art Norwich Bulletin Q&A]
+* [https://www.norwichbulletin.com/article/20100316/NEWS/303169912 Norwich Bulletin Q&A]
+* [http://www.toughpigs.com/joe-mathieu/ ToughPigs.com Q&A]
-[[Category:Illustrators|Mathieu, Joe]]
+* [https://www.youtube.com/watch?v=EGLJ9-g_BI8 2019 WGBH interview]
+__NOWYSIWYG__
+{{DEFAULTSORT:Mathieu, Joe}}
+[[Category:Illustrators]]

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